#1 The Dark Knight, SPOILERS!
Posted: Mon Jul 21, 2008 5:17 am
Saturday, I was paid to watch the Dark Knight movie (Top That!), I have decided to go ahead and start a discussion thread on it here.
The following section is Spoiler free:
The starting place and non-spoilerish plot thoughts.
The Dark Knight picks up some time after Batmen Begins ended, the damaged of the rampage of madmen has been completely repaired and Gotham has never looked shiner and newer. Batman has been very busy to the point that normal crooks won't work that night if they see so much as a bat symbol in the sky. Unlike Batman Begins, the movie starts on a high point for the characters of Batman, Gordan and Rachael Dawes, don't worry that won't last. If Batman Begins was about clawing your way up from a low, The Dark Knight is about plunging screaming into the abyss. It's a deep dark one and you'll being pushed into it by someone who seems more a force of nature or personification of Chaos then a real human being. That being the Joker. This is frankly the Joker's movie (Silence was the first to point that out to me, so let's all give him a round of applause shall we?). I'll talk more about him in a bit.
My advice when you go to see it? Pee before the movie and drink NOTHING! You don't want to miss a bit.
Now let's talk about that plunge shall we? (Some Spoliers ahead proceed with caution).
A word about themes
The abyss in question is spiritual, emotional, mental and physical in this movie. The physical in the sheer chaos unleashed upon poor suffering Gotham and the characters by the Joker. Like I said this is his damn movie and he fucking owns it and does it rough. He kills, destroys and poisons with a wild abandon that leaves the entire city screaming. But believe it or not the physical isn't Joker's main target, it's just his lever. Emotionally, the Joker is again the main hitter as well, but alot of it is gonna be self inflicted, every major character experiences doubt, fear, confusion and despair they aren't glossed over here because in a very real way, these moments are the point. Every act that the Joker commits seems to be geared to creating the condinations for these moments. Mentally as well as the Joker's actions grinds into all the character's weak spots. Spiritually... The Joker's great goal seems to be to take a city of average men and women just starting to believe that things can be better, that they can be better and reducing them to savages by breaking their spirits. To quote the Joker "You think I bet the battle for Gotham's soul on a fistfight?" There are wheels turning here and people are getting crushed under them.
The sum up comes from the Joker for this
"Madness as you know is alot like Gravity, all it takes is one little push!"
Really there are some big spoliers ahead.
Let's talk characters:
The Joker... Man, where to start? Heath Ledger gives us the most terrifying Joker to appear on any screen. This may be his last performance ever but oh God what a last performance. Give this guy an Oscar for the coffin, fuck give him three! Jack Nickelson's Joker looks downright tame and clownish compared to this guy. Mark Hamel's Joker is left looking kind of mortal and petty.
The Joker isn't given an origin in this movie. I have to admit I was a bit doubtful of this, but the writer here knew what the fuck he was doing. Giving this Joker an origin would just lessen him.I walked out of that movie convinced that Joker wasn't a man but a Force of Nature. Joker appears in the first scene of the movie fully formed. He wears makeup, he's scarred, he wants to fuck up Batman and everyone else on the planet. He's bugfuck crazy but smart, chaotic but capable of frightening levels of organization in a psychopath, a completely inhuman, immoral mad dog with the mind of a general. Basically if Charles Mason had been this good, he would be running the damn country by now. He does whatever he wants, with no rules at all. The mirror image of our dark hero. Let's be honest, this Joker is the new definition of Chaotic Evil
Here's what I think we can safely say about Joker, he hates his father for an undisclosed reason (Joker gives two different stories as to his facial scars, his father as a mean drunk appears in one of them, during his raid on Bruce Wayne's fund raiser he tells an older gent that he reminds him of his father and he hated his father. The emotional heat of the statement leads to me regard it as an accidental pearl of truth.) The two stories also paint the Joker as a victum, an unwilling creation. Honestly this outreach for empathy and compassion would be believable from anyone else. From the Joker, I think he just does it so that'll it'll be funnier when he stabs your eyes out.
Bruce Wayne/Batman: I gotta say I admire Christian Bale's pure acting ability here, in the last movie he did a great job of showing us Bruce Wayne inventing Batman. In this movie he does a great job of showing us Batman swallowing up Bruce Wayne. Christian Bale is playing Bruce Wayne playing Batman playing Bruce Wayne. It has reached a point where Bruce Wayne is now a tool of the Batman, not the other way around. In this movie the crossroads is reached and choices are made that can't be taken back.
As you might guess this gives old Bruicey alot of second thoughts. Frightened of what he is becoming, wavering that it might be to far and scared to death that it won't be enough. He's also a bit discouraged that Batman isn't so much an inspiring figure as a frightening one. He's thinking it may be time to start looking for the exits (we'll talk about this in the Harvey Dent section).
Batman himself has a few calls to make as well. What's more important to him, what people think or doing what is needed? Can he do the right thing even if means becoming separated from human society, more then he was before anyways. The Greeks who created alot of our heroic archtypes didn't quite have the same meaning for the word Hero has we did. When they call someone a hero they meant someone who did larger then life deeds and paid larger then life costs to do them. At the end of this Batman is going to become the modern day poster boy for that definition. He'll start this movie applauded by Gotham's populace or at least fondly tolerated, but the end, he'll be hunted and literally hounded.
Gordan, the cop. The movie opens up with once lowly patrolmen Gordan in charge of the major crimes unit hitting the mob. He thinks he can wipe out the mob once and for all. His parntership with Batman is maturing to the point he gets text messages from the Bat and goes on them without question. Can't argue with results though can ya? Still Gordan is dealing a police force more corrupt then Washington D.C's force and that's saying something. Plus he is getting on in years, who is gonna around to pick up the game that he can trust? Not to mention the mark that making deals with the devil (remember his corrupt partner? or for that matter Batman himself? Gordans' broken alot of laws just looking the other way here).
Gordan is gonna have it all in his teeth only to get it yanked out. He's gonna reach heights he thought barred to him (Commissioners office is his before the end of the movie) and the triumph is gonna turned to dust, as he is forced to live one hell of a lie. His speech(es) at the end is loaded with double meaning. Think about what he means when he says "Not the Hero we deserve but the Hero we need" and "He's the Hero we deserve but not the one we need right now."
Rachel Dawes, in a way I feel for this poor girl. She's watching her oldest friend, little Bruce Wayne disappear into this dark menacing figure and she's becoming very sure that Bruce, her Bruce anyway, won't ever be coming back. She rather firmly fallen out of love here, although she remains his friend (for all the good that'll do her). But hey, she's found a new white knight and he shines soooo bright now don't he? Her death is what completes the plunge into the nadir of the howling abyss and damn it's a gut shot.
Harvey Dent, if Bruce Wayne is looking for an exit, it's marked Harvey Dent. If Gordan is looking for a guy to pick up the ball after he's left the game, he's looking at a Jersey with Dent's name on it. In short Harvey is the White Knight and the Great Hope. The guy who will remove the need for Batman and carry on the great work.
Of course Dent's a human being. In love with Rachel Dawes and in the course of the movie proposes to her. It's that love that brings him down. If this movie is about plunges into the Abyss then Harvey's fall is one of the main journey's of the film. Of course you see hints of the darkness through the movie and Batman's and Gordon denial or attempts to keep Harvey from going to far into it.
On a side note, I want to say I think they greatly improved on Two-Face's origin here. It always felt a little loose to me before but now, well it works pretty well. Two-Face is a creation of the Joker, a masterpiece of chaos and madness you could say. What Gordon and Batman do after Two-Faces death is kinda shocking but utterly logical.
I'm gonna go ahead and throw open the floor for comments now.
The following section is Spoiler free:
The starting place and non-spoilerish plot thoughts.
The Dark Knight picks up some time after Batmen Begins ended, the damaged of the rampage of madmen has been completely repaired and Gotham has never looked shiner and newer. Batman has been very busy to the point that normal crooks won't work that night if they see so much as a bat symbol in the sky. Unlike Batman Begins, the movie starts on a high point for the characters of Batman, Gordan and Rachael Dawes, don't worry that won't last. If Batman Begins was about clawing your way up from a low, The Dark Knight is about plunging screaming into the abyss. It's a deep dark one and you'll being pushed into it by someone who seems more a force of nature or personification of Chaos then a real human being. That being the Joker. This is frankly the Joker's movie (Silence was the first to point that out to me, so let's all give him a round of applause shall we?). I'll talk more about him in a bit.
My advice when you go to see it? Pee before the movie and drink NOTHING! You don't want to miss a bit.
Now let's talk about that plunge shall we? (Some Spoliers ahead proceed with caution).
A word about themes
The abyss in question is spiritual, emotional, mental and physical in this movie. The physical in the sheer chaos unleashed upon poor suffering Gotham and the characters by the Joker. Like I said this is his damn movie and he fucking owns it and does it rough. He kills, destroys and poisons with a wild abandon that leaves the entire city screaming. But believe it or not the physical isn't Joker's main target, it's just his lever. Emotionally, the Joker is again the main hitter as well, but alot of it is gonna be self inflicted, every major character experiences doubt, fear, confusion and despair they aren't glossed over here because in a very real way, these moments are the point. Every act that the Joker commits seems to be geared to creating the condinations for these moments. Mentally as well as the Joker's actions grinds into all the character's weak spots. Spiritually... The Joker's great goal seems to be to take a city of average men and women just starting to believe that things can be better, that they can be better and reducing them to savages by breaking their spirits. To quote the Joker "You think I bet the battle for Gotham's soul on a fistfight?" There are wheels turning here and people are getting crushed under them.
The sum up comes from the Joker for this
"Madness as you know is alot like Gravity, all it takes is one little push!"
Really there are some big spoliers ahead.
Let's talk characters:
The Joker... Man, where to start? Heath Ledger gives us the most terrifying Joker to appear on any screen. This may be his last performance ever but oh God what a last performance. Give this guy an Oscar for the coffin, fuck give him three! Jack Nickelson's Joker looks downright tame and clownish compared to this guy. Mark Hamel's Joker is left looking kind of mortal and petty.
The Joker isn't given an origin in this movie. I have to admit I was a bit doubtful of this, but the writer here knew what the fuck he was doing. Giving this Joker an origin would just lessen him.I walked out of that movie convinced that Joker wasn't a man but a Force of Nature. Joker appears in the first scene of the movie fully formed. He wears makeup, he's scarred, he wants to fuck up Batman and everyone else on the planet. He's bugfuck crazy but smart, chaotic but capable of frightening levels of organization in a psychopath, a completely inhuman, immoral mad dog with the mind of a general. Basically if Charles Mason had been this good, he would be running the damn country by now. He does whatever he wants, with no rules at all. The mirror image of our dark hero. Let's be honest, this Joker is the new definition of Chaotic Evil
Here's what I think we can safely say about Joker, he hates his father for an undisclosed reason (Joker gives two different stories as to his facial scars, his father as a mean drunk appears in one of them, during his raid on Bruce Wayne's fund raiser he tells an older gent that he reminds him of his father and he hated his father. The emotional heat of the statement leads to me regard it as an accidental pearl of truth.) The two stories also paint the Joker as a victum, an unwilling creation. Honestly this outreach for empathy and compassion would be believable from anyone else. From the Joker, I think he just does it so that'll it'll be funnier when he stabs your eyes out.
Bruce Wayne/Batman: I gotta say I admire Christian Bale's pure acting ability here, in the last movie he did a great job of showing us Bruce Wayne inventing Batman. In this movie he does a great job of showing us Batman swallowing up Bruce Wayne. Christian Bale is playing Bruce Wayne playing Batman playing Bruce Wayne. It has reached a point where Bruce Wayne is now a tool of the Batman, not the other way around. In this movie the crossroads is reached and choices are made that can't be taken back.
As you might guess this gives old Bruicey alot of second thoughts. Frightened of what he is becoming, wavering that it might be to far and scared to death that it won't be enough. He's also a bit discouraged that Batman isn't so much an inspiring figure as a frightening one. He's thinking it may be time to start looking for the exits (we'll talk about this in the Harvey Dent section).
Batman himself has a few calls to make as well. What's more important to him, what people think or doing what is needed? Can he do the right thing even if means becoming separated from human society, more then he was before anyways. The Greeks who created alot of our heroic archtypes didn't quite have the same meaning for the word Hero has we did. When they call someone a hero they meant someone who did larger then life deeds and paid larger then life costs to do them. At the end of this Batman is going to become the modern day poster boy for that definition. He'll start this movie applauded by Gotham's populace or at least fondly tolerated, but the end, he'll be hunted and literally hounded.
Gordan, the cop. The movie opens up with once lowly patrolmen Gordan in charge of the major crimes unit hitting the mob. He thinks he can wipe out the mob once and for all. His parntership with Batman is maturing to the point he gets text messages from the Bat and goes on them without question. Can't argue with results though can ya? Still Gordan is dealing a police force more corrupt then Washington D.C's force and that's saying something. Plus he is getting on in years, who is gonna around to pick up the game that he can trust? Not to mention the mark that making deals with the devil (remember his corrupt partner? or for that matter Batman himself? Gordans' broken alot of laws just looking the other way here).
Gordan is gonna have it all in his teeth only to get it yanked out. He's gonna reach heights he thought barred to him (Commissioners office is his before the end of the movie) and the triumph is gonna turned to dust, as he is forced to live one hell of a lie. His speech(es) at the end is loaded with double meaning. Think about what he means when he says "Not the Hero we deserve but the Hero we need" and "He's the Hero we deserve but not the one we need right now."
Rachel Dawes, in a way I feel for this poor girl. She's watching her oldest friend, little Bruce Wayne disappear into this dark menacing figure and she's becoming very sure that Bruce, her Bruce anyway, won't ever be coming back. She rather firmly fallen out of love here, although she remains his friend (for all the good that'll do her). But hey, she's found a new white knight and he shines soooo bright now don't he? Her death is what completes the plunge into the nadir of the howling abyss and damn it's a gut shot.
Harvey Dent, if Bruce Wayne is looking for an exit, it's marked Harvey Dent. If Gordan is looking for a guy to pick up the ball after he's left the game, he's looking at a Jersey with Dent's name on it. In short Harvey is the White Knight and the Great Hope. The guy who will remove the need for Batman and carry on the great work.
Of course Dent's a human being. In love with Rachel Dawes and in the course of the movie proposes to her. It's that love that brings him down. If this movie is about plunges into the Abyss then Harvey's fall is one of the main journey's of the film. Of course you see hints of the darkness through the movie and Batman's and Gordon denial or attempts to keep Harvey from going to far into it.
On a side note, I want to say I think they greatly improved on Two-Face's origin here. It always felt a little loose to me before but now, well it works pretty well. Two-Face is a creation of the Joker, a masterpiece of chaos and madness you could say. What Gordon and Batman do after Two-Faces death is kinda shocking but utterly logical.
I'm gonna go ahead and throw open the floor for comments now.